| 1 | In-depth examination of the conceptual dimensions of sculpture in contemporary art and introduction to interdisciplinary approaches | Presentation |
| 2 | Discussions on new directions and current practices in modern and contemporary sculpture | Sevim, A. (2010). Sculpture Art. |
| 3 | Introduction to digital tools, new media, kinetic, and interactive sculpture possibilities | Sevim, A. (2010). Sculpture Art |
| 4 | Advanced exploration of material diversity: wood, metal, stone, fiber, mixed techniques, and industrial materials | Searches.(Nancy Atakan) |
| 5 | Integration of conceptual and emotional content into medium- and large-scale sculpture projects | Application |
| 6 | Applications focusing on the transition from three-dimensional forms to multi-dimensional works (time, movement, sound, performance, installation) | Application |
| 7 | Medium- and large-scale sculpture applications (studio projects) | Boardman, J. Sculpture in the Archaic Period.Application |
| 8 | Experiments with moving, time-based, and site-specific/interactive sculptures | Application |
| 9 | Critical analysis and reinterpretation of ready-made objects within contemporary art practices | Application |
| 10 | Development of original sculpture projects using ready-mades and mixed techniques | Free recycling and waste materials within the scope of sustainability |
| 11 | Experimental sculpture practices through the combined use of different materials and technologies | Gezer, H. Sculpture Art in the Republican Period |
| 12 | Project development, modeling, and sketch studies within the conceptual design process | Gezer, H. Sculpture Art in the Republican Period |
| 13 | Implementation of sculpture projects using interdisciplinary methods and exploration of new techniques | Gezer, H. Sculpture Art in the Republican Period |
| 14 | Conceptual and critical analysis of sculpture works in the context of contemporary art | Curtis, P. (1999). Sculpture 1900–1945: After Rodin |