| 1 | 1. Introduction | |
| 2 | 2. The change in Turkish cinema within the social, economic and political conditions of the 1980s | |
| 3 | 3. After video management, Eurimage, and other funds | |
| 4 | 4. 1990s Turkish cinema, the effects of the advertising sector in Turkish cinema after 1990 | |
| 5 | 5. New Turkish cinema, Derviş Zaim's concept of alluvial cinema | |
| 6 | 6. New Turkish Cinema within the framework of Directors, | |
| 7 | 7. Midterm Examination | |
| 8 | 8. Demirkubuz, Ceylan, Ustaoglu, Zaim et al. trends and themes in the context of New Turkish Cinema | |
| 9 | 9. Narration in the New Turkish Cinema | |
| 10 | 10. Hybrid narrative in New Turkish Cinema | |
| 11 | 11. Fath Akın and Ferzan Özzpetek in immigrant cinema, transnational cinema | |
| 12 | 12. Comedy in the New Turkish Cinema | |
| 13 | 13. Digital Technology and changing audience profile, | |
| 14 | 14. Final Examination | |