| 1 | Giving information about the course and the course; distribution of the lesson plan. | |
| 2 | Is cinema art? Film screening: Watching short films from various countries and discussing them within the framework of 'cinema art'. | |
| 3 | Subjectivity, 'auteur' and art film: Federico Fellini. Fillm representation: Eight and a Half (81/2, F. Fellini, Italy, 1963). | |
| 4 | Minimalist cinema and Robert Bresson. Film Screening: A Prisoner of Death Escaped | |
| 5 | Michelangelo Antonioni's minimalism and modernist art film. Film screening: Adventure (L'Avventura, M. Antonioni, Italy, 1961). | |
| 6 | Subjectivity, 'auteur' and art film: Federico Fellini. Fillm representation: Eight and a Half (81/2, F. Fellini, Italy, 1963). | |
| 7 | Realism and cinema; 'cinema novo'; 'Third Cinema'. Film screening: Barren Lives (Vidas Secas, Nelson Pereira dos Santos, Brazil, 1964) | |
| 8 | New Wave, women and 'art film' - Agnes Varda. Film screening: Happiness (Le Bonheur, A. Varda, France, 1964). | |
| 9 | Individual; 'inner worlds'; minimalism; 'room film' and Ingmar Bergman. Film screening: Persona (I. Bergman, Sweden, 1966). | |
| 10 | Gender, colonialism and 'art cinema' - Claire Denis. Screening: Fine Work (Beau travail, C. Denis, France, 1999). | |
| 11 | Far East cinema, minimalism and 'art film' Film screening: Cafe Lumiere (Kohi Jiko, Hsiao-hsien Hou, Taiwan, 2003). | |
| 12 | Avant-garde, gender and 'art film' Film screening: Caravaggio (Derek Jarman, Britain, 1986). | |
| 13 | Filmmakers (III) - Ken Loach: Loach's understanding of cinema; realism in cinema, social issues / problems and the relationship between cinema. | |
| 14 | 'Art cinema' and melodrama. Film screening: Love is My Name (Io sono l'amore, Luca Guadagnino, Italy, 2009) | |
| 15 | | Norbert Lynton (2009 Modern Sanatın Öyküsü, Çevirenler: Cevat Çapan ve Sadi Öziş, İstanbul: Remzi Kitabevi. |
| 16 | | Ali Karadoğan (Derleyen) (2010), Sanat Sineması Üzerine, Ankara: De Ki. Andras Balint Kovacs (2010) Modernizmi Seyretmek: Avrupa Sanat Sineması, 1950-1980, Çeviren: Ertan Yılmaz, Ankara: De Ki. |
| 17 | | Paul Schrader (2008) Kutsalın Görüntüsü, Çevirenler: Zeliha Hepkon-Oya Şakı Aydın, İstanbul: Es Yayınları |
| 18 | | Roy Armes (1971), Patterns of Realism, Londra: Tantivy Press |
| 19 | | Fatma Serdaroğlu (2011), "Antonioni'nin 'Macera', 'Gece' ve 'Batan Güneş' Üçlemesi Kapsamında Sinemada Yabancılaşma ve Çağdaş Anlatı", Türk ve Dünya Sineması Üzerine Sentezler içinde, Serpil Kırel (Derleyen), İstanbul: Parşömen Yayıncılık, 302-329. |
| 20 | | Gordon Graham (1997), Philosophy of the Arts: An Introduction to Aesthetics, Londra: Routledge |
| 21 | | David Bordwell ve Kristin Thompson (2008), Film Sanatı, Çevirenler: Ertan Yılmaz ve Emrah Suat Onat, Ankara: De Ki. |