TURKISH MUSIC STATE CONSERVATORY / TURKISH MUSIC / TMB1003 - SOLMIZATION AND THEORY OF TURKISH MUSIC

Contents Of The Courses in a weekly Period

Week 
Subjects 
Sources 
1General information about quotes, note values and procedures. General information about coma and narration of the quartets bringing Turkish music to the festival.[1] p. 29-40; [2] 1-4
2The expression of the five who brought Turkish music. Solfege studies for quadrants and quintiles[1] p. 41-43; [2] 5-16
3Basic solfeggio exercises, Quatrain related exercises.[2] p. 17-22;
4Basic solfege exercises.[2] p. 17-22
5Introduction to the Nim Sofyan method. Definition of series and makam in Turkish music, structural features of simple makam. Names and duties of series voices in Turkish music.[1] p.61-62, 94; [2] 23-30
6Expression of Çargah makam Solfege studies Semai method of expression[1] p. 95-97, 111-114; [2] 31-33
7The expression of the Kurdi makam, Solfege studies[1] p. 98-100; [2] 33-35
8Expression of Buselik maqam and Sofyan usul[2] p. 35-37
9Expression of Buselik makam, Solfege studies[1] p.115-117; [2] 35-37
10Expression of Rast makam and Solfege exercises Türk Aksağı[1] p.120-123; [2] 37-40
11Solfege exercises in Rast makam and Yürük Semai studies.[2] p. 40-45
12Expression of the Uşşak makam, Solfege studies[1] p.126-128; [2] 46-48
13Solfege studies in Uşşak makam[1] p.156-163; [2] 48-50
14General evaluation