ZÜBEYDE HANIM FACULTY OF HEALTH SCIENCES / SOCIAL SERVICE / USD4085 - CINEMA AND ART

Contents Of The Courses in a weekly Period

Week 
Subjects 
Sources 
1Introduction – Meeting and course information; distribution of the course syllabus.1. Norbert Lynton (2009 Modern Sanatın Öyküsü, Çevirenler: Cevat Çapan ve Sadi Öziş, İstanbul: Remzi Kitabevi.
2What is art? Is cinema an art form? Film screening: Short films from various countries and discussion within the framework of “cinema as art.”2. Ali Karadoğan (Derleyen) (2010), Sanat Sineması Üzerine, Ankara: De Ki. Andras Balint Kovacs (2010) Modernizmi Seyretmek: Avrupa Sanat Sineması, 1950-1980, Çeviren: Ertan Yılmaz, Ankara: De Ki.
3Subjectivity, the “auteur,” and art cinema: Federico Fellini. Film screening: 8½ (Otto e mezzo, F. Fellini, Italy, 1963).3. Paul Schrader (2008) Kutsalın Görüntüsü, Çevirenler: Zeliha Hepkon-Oya Şakı Aydın, İstanbul: Es Yayınları
4Minimalist cinema and Robert Bresson. Film screening: A Man Escaped (Un condamné à mort s’est échappé ou Le vent souffle où il veut, R. Bresson, France, 1956). 
5The minimalism of Michelangelo Antonioni and the modernist art film. Film screening: L’Avventura (M. Antonioni, Italy, 1961). 
6Subjectivity, the “auteur,” and art cinema: Federico Fellini. Film screening: 8½ (Otto e mezzo, F. Fellini, Italy, 1963). 
7Realism and cinema; Cinema Novo; Third Cinema. Film screening: Barren Lives (Vidas Secas, Nelson Pereira dos Santos, Brazil, 1964). 
8The New Wave, women, and “art cinema” – Agnès Varda. Film screening: Happiness (Le Bonheur, A. Varda, France, 1964). 
9The individual, “inner worlds,” minimalism, “chamber film,” and Ingmar Bergman. Film screening: Persona (I. Bergman, Sweden, 1966). 
10Gender, colonialism, and “art cinema” – Claire Denis. Film screening: Beau Travail (C. Denis, France, 1999). 
11Far Eastern cinema, minimalism, and “art film.” Film screening: Café Lumière (Kohi Jiko, Hsiao-hsien Hou, Taiwan, 2003). 
12Avant-garde, gender, and “art film.” Film screening: Caravaggio (Derek Jarman, UK, 1986). 
13Influential figures in cinema (III) – Ken Loach: His cinematic approach; realism in cinema; the relationship between social issues and cinema. 
14“Art cinema” and melodrama. Film screening: I Am Love (Io sono l’amore, Luca Guadagnino, Italy, 2009).